Black Uniball pen and muted watercolors in my Hobonichi planner. Random explorations with color and line.
There is a sense of play that mark making provides. It frees up expectations and allows the hand and mind to wander together on a page.
The beginning of a contemporary abstract painting…
Yesterday I was reorganizing the studio, going out to look at art supplies, and generally not painting anything at all. Some days you just can’t force the process–even with a painting deadline on the horizon. An artist learns to trust that ideas will happen only when the time is right…
But this morning the muse “magic” that totally defies logic kicked in at 5:30 am. Yes, creativity demanded attention–before coffee–before I felt even half-way human; yet, who am I to argue the time of day that inspiration decides to appear?
I figured if I could get this charcoal drawing idea out of the brain and on to my paper, then I could happily stumble to the kitchen and fix myself a cup of morning coffee.
So it happened. And the coffee was good. And the day will be filled with painting.
Abstract Seaside Treasures
Happy New Year everyone!
I am really excited about 2018, because I’m focusing on creating larger, contemporary works in addition to the mini paintings and smaller works that I have been doing for several years now.
This is one of the new mixed media contemporary abstracts created with acrylics, crayons, and pencil on heavy paper (14 x 11 inches) using bold colors and floating, linear imagery. It is the first painting in my Tide Pool and Sea Glass theme this quarter. The loose, layered style is one of my favorite methods of developing a painting. Each layer works together to give the viewer both color and linear movement experiences.